For a dance and theatrical performance that engages with the psychological, sociological and political understandings of war and its diverse representations within the museum space. This performance will take place at the Government Museum, Bangalore.
For a multi-sensory artistic experience at one of Bangalore’s old restaurants, the Vidyarthi Bhavan, located in Gandhi Bazaar. This artistic intervention will involve theatre, music and visual installations that reflect on the history of Vidyarthi Bhavan, and attempt to make new meanings of the space in contemporary Bangalore.
For the building of a pedagogy through theatre practice re-interpreting existing stories, as well as creating new ones, from the perspective of a child. This project will be undertaken with the children of the Government Primary School in Siddapura-Tubrahalli, Bengaluru.
For the third edition of the India-India residency programme, which nurtures collaboration and exchange among emerging Indian artists. Four artists from diverse cultural backgrounds and regions will spend three months at the BAR1 studios in Bangalore, developing individual artworks. The artists’ work in progress will be exhibited at the end of the residency.
For the creation of a theatrical production that explores the position of women, roles of women characters and streevesha (female impersonation) within the male-dominated practice of Yakshagana. Drawing from research and personal experience, the performance imagines a reversal of roles in the popular Yakshagana plot of Draupadi Vastrapaharana, thereby exploring the conflicts around tradition, gender, power and morality inherent in the form. The performance is scheduled to premiere in Udupi in November 2015.
For a series of workshop processes conducted by a theatre group to explore and create a methodology of physical alphabets for theatre. The workshops will experiment with nonverbal explorations of textual themes and integrate them in the process of theatre-making. The outcome will be a detailed documentation of the processes that includes everyday rehearsal notes, photographs and audio-visual material.
For a graphic novel, an exhibition and an animation film, each conceived from a different perspective, developed on the concept of a futuristic city that embodies a perfect marriage between religion, politics and big business serving the consumerist dream. Instead of panels, the graphic novel will have single-page illustrations with no text.
For an inter-disciplinary collaborative work towards creating a musical cartography of Mumbai. Tracing the emergence of a distinct pedagogy and public engagement with music, the project seeks to understand the trajectory of Hindustani music in Mumbai through the late nineteenth and early twentieth centuries, especially through a study of the city’s built spaces and neighbourhoods. The outcome will include a workshop, an exhibition and a few performances.
For a performance piece based on research into the life of the Malayalam poet Kadamanitta Ramakrishnan Nair, and into the ritual performance form of Kerala called Padayani. Essentially a musical, the performance will also combine elements of theatre and visual arts in creating a multidimensional artistic experience.
For a series of short animation films based on the life and music of Ustad Abdul Karim Khan. The project explores early sound recording technology and the artist's life within that techno-social moment in history. The project will result in animation works and installations that combine archival material with pieces of obsolete technology such as old cameras and gramophone players.