2014-2015

Moushumi Bhowmik

Grant Period: Over one year

For research into the field recordings, texts and photographs of the Dutch ethnomusicologist Arnold Bake, during his time in Bengal from 1925 to 1934. Based on this archival material gathered from various archives in India and abroad, she will construct histories of music and portraits of people and places, thus adding to and energising the existing archive for folk music, 'The Travelling Archive'. The outcomes will be an exhibition and a book.

Abeer Gupta & Suchitra Balasubrahmanyan

Grant Period: Over one year

For engaging with the Decorative Arts Department of the National Museum, New Delhi for re-staging their collection of brocade saris to make the museum a dynamic space for both research and practice. Suchitra and Abeer’s project aims to ascertain the pedagogic and public value of our national cultural resources through research and exhibition, thus establishing a live link between the collection, the classroom and the exhibition that will be curated at the National Museum in February 2016.

Bessie Cecil

Grant Period: Over one year

For engaging with the Decorative Arts Department of the National Museum, New Delhi for re-staging their collection of brocade saris to make the museum a dynamic space for both research and practice. Bessie’s project will primarily research the effect that the river has on the textile industry with special focus on the Ganges and its influence on the weaving of the brocade sari, and culminate in an exhibition at the National Museum in February 2016.

Preeti Bahadur

Grant Period: Over one year

For engaging with the Painting Department of the National Museum, New Delhi for re-staging their collection of the Pahari Ragamala paintings to make the museum a dynamic space for both research and practice. Preeti will present the Ragamala paintings in its historical context and explore the relationship these miniatures have with other fields of arts such as literature and music. The project will culminate in an exhibition at the National Museum in February 2016.

Deeksha Nath

Grant Period: Over one year

For engaging with the Painting Department of the National Museum, New Delhi for re-staging their collection of the Pahari Ragamala paintings to make the museum a dynamic space for both research and practice. Deeksha will curate a series of contemporary ‘performances’ in response to the textual, visual and aural nature of the Ragamala paintings. It will culminate in an exhibition at the National Museum in February 2016.

George Mathen

Grant Period: Over one year and six months

For a graphic novel, an exhibition and an animation film, each conceived from a different perspective, developed on the concept of a futuristic city that embodies a perfect marriage between religion, politics and big business serving the consumerist dream. Instead of panels, the graphic novel will have single-page illustrations with no text.

Tejaswini Niranjana

Grant Period: Over nine months

For an inter-disciplinary collaborative work towards creating a musical cartography of Mumbai. Tracing the emergence of a distinct pedagogy and public engagement with music, the project seeks to understand the trajectory of Hindustani music in Mumbai through the late nineteenth and early twentieth centuries, especially through a study of the city’s built spaces and neighbourhoods. The outcome will include a workshop, an exhibition and a few performances.

Mohit Takalkar

Grant Period: Over two months

For the creation of a production based on a Marathi script titled ‘Flat Number F-1/105’. Through active collaborations among the director, actors and the playwright, the performance seeks to address issues around identity through a reflection on the aesthetic and political perceptions of ‘colour’.

Adishakti Laboratory for Theatre Arts and Research

Grant Period: Over one year and six months

For research into the diverse constructions and reinventions of the Ramayana epic with specific focus on seven performance traditions and two contemporary reinterpretations. The project seeks to provide a textured and contextual study of the various manifestations of the epic within specific ritual, social and performative contexts. The outcomes will include a series of presentations and an essay.

Sita Reddy

Grant Period: Over one year and six months

For research into India’s disparate botanical art traditions, focusing on four colonial botanical texts ranging from the seventeenth-century Hortus Indicus Malabaricus to the nineteenth-century Flora Indica. The research will involve matching the texts with what exists in the gardens, and making visible the unnamed indigenous botanical artists of Company paintings as well as the variations in botanical iconography across diverse print media: engravings, watercolours, and lithographs. This research is part of a larger project to document an Indian botanical ‘Ark-ive’ or a visual genealogy of botanical arts traditions on the printed page. The outcome will be a website.

Pages