Delhi

Anurupa Roy

Grant Period: Over three months

For a fifteen-day puppetry workshop for nine participants from diverse artistic backgrounds with a traditional master Togalu Gombeyata practitioner. First among a series to be held over the next two years, the workshop expects to kickstart the process of building a robust discourse and pedagogy for puppetry in India through intensive training, discussions and artistic exchanges between traditional and contemporary puppeteers and other arts practitioners who draw from puppetry in form, content or aesthetics.

Pallavi Paul and Sahej Rahal

Grant Period: Over one year

For an experimental HD video film on the Mars One project that aims to set up the first human settlement in Mars. Referencing the works of Jules Verne and Franklin Story Musgrave, the video will include scientific reports, plans, charts, confessional videos, personal journals, popular cinema clips and clips of varying audio frequencies interspersed with interviews with future astronauts. The artists also plan to create an exhibition and performance from the material created and gathered for the video.

Khushboo Ranka

Grant Period: Over one year and six months

For research towards a stylised documentary on Hindi pulp fiction that reflects the struggles of the writers and publishers as producers of ‘low art’. It will trace the journey of the writer through the system that enables the publishing and distribution of pulp fiction, thereby illustrating the ethos of the world that produces such material. This project is co-funded by Recyclewala Films Pvt. Ltd, Mumbai.

Akansha Rastogi

Grant Period: Over one year

For the study and documentation of landmark art exhibitions in India from 1947 to the present. It will include those exhibitions that were planned but did not materialise, thereby attempting to create a framework by which to address and analyse how exhibitions typify attitudes, thoughts and articulations on contemporary art.

Simrat Kaur Dugal & Charu Maithani

Grant Period: Over one year

For research into the construction of the genre of science fiction in Hindi by shedding light on how writers have used their own understanding of both science and the potential of science to perceive, comment on and reinvent their past, present and the future. It will also look at how productions, articulations and manifestations of science fiction influence aural and visual cultures in India.

Rahul Kumar

Grant Period: Over one year and six months

For a ceramic artist’s experimentation with different clay bodies and firing techniques to make a large-scale ceramic installation, consisting of individual units of varying shapes and sizes, to be exhibited during the India Art Fair in 2015.

Gagandeep Singh Grover a.k.a. Gagan Singh

Grant Period: Over six months

For research towards and the making of a series of animations that will explore movement in drawing, in a site-specific context. The final outcome will be animations that make visible facets of everyday experiences in Delhi, as recreated through memory and drawing, and developed and exhibited as in-process work in the Nehru Place market.

Asia Art Archive

Grant Period: Over four months

For a two-day colloquium titled ‘Locating Art Histories: Dialogues on Language, Writing, and Research in India’ organised by the Asia Art Archive (AAA) in Delhi. The colloquium builds upon the Bibliography project AAA has been doing for the last three years, and will engage with the question of art writing in various Indian languages.

Monica Narula

Grant Period: Over one year

For the creation of a publication, two workshops and a public exhibition to be held in Delhi in January-February 2014 to demonstrate imaginative ways of re-thinking the question of cultural infrastructure. The New Models on Common Grounds project that is part of the Raqs Media Collective’s work as Artist Directors of INSERT 2014 will invite speculations from 30 artists to respond to particular sites symbolic of the cultural life of Delhi.

Ruchika Negi

Grant Period: Over one year

For research into a shawl painting tradition from Nagaland called Tsungkotepsu, towards an examination of the visual, material and social cultures of the Naga tribes. The study of Tsungkotepsu, as woven form of expression, will enhance understanding of how traditions reinvent themselves by merging with ‘larger’ traditions to ensure their own survival. The research will result in a monograph,a film, and the creation of puppets inspired by Tsungkotepsu motifs.

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