Delhi

Saba Dewan

Grant Period: Over one year

For post-production work on a film titled, In Search of Umrao, exploring the social and cultural history of the tawaifs of North India. The film focuses on the arts forms associated with them and the relationship between aesthetic expression and sexual identity. Through the story of a lost thumri sung by Rasoolan Bai, whose career as a performer overlapped with significant transitions in both the practice of music and public female sexualities, the film will examine the major shifts in the tradition’s history.

The Biblio Charitable Trust

Grant Period: Over two years

For digitising the archive of a literary magazine in order to maximise its website’s potential to serve as an educational resource and be an avenue for revenue generation. Marketing initiatives that target Indian and foreign universities and institutions are expected to help the magazine to become self-sustainable.

Gurvinder Singh

Grant Period: Over two years

For putting in place a multi-pronged process to reinvigorate the bhakti and sufi music of the Punjab. Systematic audio documentation bolstered by an innovative marketing strategy—direct sales by the performers in the rural market and online sales from a website—is expected to economically benefit the performers and expand their audience.

Khoj International Artists Association

Grant Period: Over three Years

For three annual editions of a residency programme for fresh graduates of visual art schools across India, to culminate in three annual exhibitions. Each year, five artists will spend four weeks with an art critic at the Khoj studios in New Delhi, exploring their creativity and engaging with their peers and with senior artists.

Veena Naregal

Grant Period: Over two years

For research into performing traditions and changing structures of patronage in Maharashtra. By investigating Marathi theatrical practices that emerged in the 1840s, the study seeks to document how elite and popular performative forms were reconstituted in the latter half of the nineteenth century.

Gurvinder Singh

Grant Period: Two years

For preparatory research and documentation towards a film on the Sufi and bhakti music of the Punjab. The audio-visual documentation will be made available to music researchers through cultural organisations.

Malavika Karlekar

Grant Period: Over one year and nine months

For the publication of a book on the use of photography as a social tool by the Bengali upper class in the late-nineteenth and early-twentieth centuries. The book, to be published by the Oxford University Press, will be made available at a subsidised price.

Janaki Abraham

Grant Period: Over two years

For collaborative research between an installation artist/set designer and an anthropologist towards a multimedia installation/exhibition on the visual culture of the Thiyyas, a community from North Kerala.

Lalit Vachani

Grant Period: Over ten months

For making a film on the New-Delhi based theatre group, Jan Natya Manch, that will critically explore its history and contemporary practices. Combining archival footage with documentation of contemporary performances, the film will especially focus on Nukkad Natak (street theatre).

Jagan Shah

Grant Period: Over one year

For creating a comprehensive collection of material on the Indian Peoples’ Theatre Association (IPTA). Through interviews, archival research, and the compilation of material generated on and by IPTA, the researcher will arrive at an account of the first, collective, pan-Indian cultural movement in independent India.

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