For putting in place a multi-pronged process to reinvigorate the bhakti and sufi music of the Punjab. Systematic audio documentation bolstered by an innovative marketing strategy—direct sales by the performers in the rural market and online sales from a website—is expected to economically benefit the performers and expand their audience.
For three annual editions of a residency programme for fresh graduates of visual art schools across India, to culminate in three annual exhibitions. Each year, five artists will spend four weeks with an art critic at the Khoj studios in New Delhi, exploring their creativity and engaging with their peers and with senior artists.
For research into performing traditions and changing structures of patronage in Maharashtra. By investigating Marathi theatrical practices that emerged in the 1840s, the study seeks to document how elite and popular performative forms were reconstituted in the latter half of the nineteenth century.
For preparatory research and documentation towards a film on the Sufi and bhakti music of the Punjab. The audio-visual documentation will be made available to music researchers through cultural organisations.
For the publication of a book on the use of photography as a social tool by the Bengali upper class in the late-nineteenth and early-twentieth centuries. The book, to be published by the Oxford University Press, will be made available at a subsidised price.
For collaborative research between an installation artist/set designer and an anthropologist towards a multimedia installation/exhibition on the visual culture of the Thiyyas, a community from North Kerala.
For making a film on the New-Delhi based theatre group, Jan Natya Manch, that will critically explore its history and contemporary practices. Combining archival footage with documentation of contemporary performances, the film will especially focus on Nukkad Natak (street theatre).
For creating a comprehensive collection of material on the Indian Peoples’ Theatre Association (IPTA). Through interviews, archival research, and the compilation of material generated on and by IPTA, the researcher will arrive at an account of the first, collective, pan-Indian cultural movement in independent India.
For preparatory work on a video film, by a filmmaker and a journalist/writer, on marginalised aspects of Punjab’s cultural landscape. They will explore their relationship to contemporary Punjab by documenting particular celebrations, individuals, memorials and encounters that together embody a syncretic understanding of the region.
For a video film, Kithe Mile Wahi, by a filmmaker and a writer, on marginalised aspects of Punjab’s cultural landscape. This grant, which follows an earlier grant for preparatory work, will go towards the making of a film that will document celebrations, individuals, memorials and encounters that together embody a syncretic understanding of the region.