For a series of workshops and an exhibition in the historic Chitpur locality of old Kolkata in collaboration with Nilanjan Das and Varshita Khaitan. This is a continuation of the ‘Chitpur Local’ project designed to reactivate the cultural life of this heritage locality, featuring eight artists in collaboration with residents, businesspersons, artists, craftspeople, the local police force and school students to create cultural experiences, innovative audience engagement and an online digital archive. The outcome of the project will be the workshops and a community exhibition. The Grantee's deliverables to IFA with the Final Report will be still and video documentation of the workshops and the exhibition. Grant funds will pay for an honorarium, workshop material, documentation, travel, food, printing, publicity, professional fees for resource persons, and an accountant's fee.
For the creation of a multi-media exhibition, a seminar and performances centred around the archived collection of music and papers of the Senia gharana exponent, Pandit Birendra Kishore Roy Chowdhury. The rich collection that includes the published and unpublished writings of Birendra Kishore, his personal notebooks, music ephemera and photographs will enable critical dialogues around music pedagogy, archiving and engaging with archival materials for musical experimentations. The seminar also aims to foreground regional perspectives in the understanding and writing of music histories. The Grantee's deliverables to IFA with the Final Report will be still and video documentation of the exhibition, seminar and performances, and the papers that will be presented at the seminar.
For an artist to create a graphic narrative that explores the tumultuous history of leftist rule in Bengal and its collapse in 2011. The project attempts to understand the formation of the middleclass mindscape during this time and the challenges it faces in the current political context. It aims to analyse multiple marginal voices from the fractured histories, with autobiographical reference points to the artist’s own life. The outcome of the grant will be a book. The Grantee's deliverables to IFA with the Final Report will be rough sketches, photographic and textual documentation and the manuscript of the book.
For support towards the study of the history of Bengali posters from 1930s to the present time. The project aims to understand the political, social, cultural and aesthetic parameters of the posters and their transformations over the years. The outcomes of the grant will be a book, essays and collectible prints of old posters. Grant funds will pay for honorarium, travel, photocopy, photography, transcription, materials, publishing and an accountant’s fee.
For working with the collections at the Indira Gandhi Rashtriya Manav Sanghralaya (IGRMS), Bhopal. The IGRMS is an ethnographic museum which demonstrates the aesthetic qualities of India's traditional life styles, local knowledge and mores, and cautions the people against unprecedented destruction of ecology, environment, local values, customs, etc. Rathin would like to explore, through his visual vocabulary, the relationship between an ethnographic object and a displaced community that is at odds with the traditional ways of life and living. The outcome will be an exhibition of objects from the museum, interspersed with new artworks that Barman will create, based on the conversations and memories of people he has interviewed from the community
For a fellowship that enables research into the archives of Hemango Biswas with particular focus on the music, communication and collaboration between the two icons of the Assam IPTA movement, Hemango Biswas and Bhupen Hazarika. The research will focus on the period during the linguistic riots in Assam in the 1950s and 1960s, and unearth the important contribution that these two musicians made in confronting the conflict. The outcomes will be a monograph, and a CD/DVD recording of three important songs with genre-specific instruments and other political songs by Biswas and Hazarika.
For a grant supporting the creation of multiple artistic interpretations of Nabarun Bhattacharya’s novel Lubdhak. A graphic novel which will serve as a script for a feature length stop motion animation film later, will be created in the process. An electronic version of the graphic novel and a prototype of a short film for the animation will also be made. Grant funds will cover travel and food costs, material, props and lighting costs, professional fees, studio rental, documentation and an accountant’s fee.
For research into the history of contemporary dance in Bengal, through the journeys of feminist dancer-choreographers Manjusri Chaki Sircar and Ranjabati Sircar. Focusing on the social, political and personal histories of the dancers, the study will explore their interventions in the practice as they drew from medieval inheritances, colonial legacies and postcolonial promises to create new languages for dance. The outcome of this project will be a monograph.
For working with the cultural history archive at the Centre for Studies in Social Sciences Calcutta (CSSSC) which contains a wide variety of visual materials from eighteenth- and nineteenth-century Bengal that includes books, journals, popular paintings, prints, posters, hoardings, advertisements and commercial art productions. Sujaan will trace the two-century-old history of tourism in Calcutta and focus on the ways in which the city has been represented by and for the ‘outsider’. The outcome could take various forms such as a curated guided tour, a guidebook, and a digital map that represents the different histories of Calcutta’s heritage.
For a series of workshops with the multiethnic communities of the eastern Himalayan regions of Sikkim and northern parts of West Bengal. It is a collaborative and multidisciplinary project that involves local music, myths and traditions dealt with in a manner that pushes the artistic boundaries of cinema. Described as an ‘interdependent cinema project’, the workshops will lead to a film, a graphic novel, a music album and finally a documentary installation exhibition.