Tamil Nadu

V Padma (A Mangai)

Grant Period: One year and six months

For research to write a critical history of Tamil theatre during the early twentieth century, using the writings of Pammal Sammadha Mudaliar as resource material. The project will critique the categorisation of Tamil theatre into rural and urban forms and explore the struggles of practitioners against the backdrop of anti-colonial and the nascent anti-Brahmanical movements in the region. The outcome of this project will be the manuscript of a book. The Grantee’s deliverables to IFA with the Final reports will be the manuscript with images and excerpts of translations from the writings of Pammal and interviews conducted in the field. The grant funds will cover an honorarium, research assistance, travel and living, stationery and documentation, typing and  printing, and an accountant’s fee. 

Bhagath Singh A

Grant Period: one year and six months

For research into the evolution and development of the Gaana music culture in Chennai, Tamil Nadu. A popular form of music, practiced among the marginalised people of urban Chennai, Gaana in the recent years has become a powerful medium of socio-cultural and political expression. Through extensive documentation of the Gaana songs and the lives of its performers, and an indepth analysis of the content, this project attempts to study this form in the larger context of society, politics and culture of Chennai in particular and Tamil Nadu in general. The outcome of this project will be a series of essays / articles in Little magazines in Tamil. The research will eventually lead to a book. The Grantee's deliverables to IFA with the Final Report will be the essays and, video and still documentation from the project. Grant funds will pay for an honorarium, food and accommodation, local travel, equipment rental, professional fees, books, materials and stationery and an accountant’s fee.  

Abul Kalam Azad

Grant Period: over ten months

For the creation of a body of photographic works centred on the men of Poompuhar in south Tamilnadu.  Drawing from the descriptions of lives and landscape of Poompuhar in the ancient Tamil epic Silappadikaram, this project involves revisiting the town in an attempt to explore questions around identity and territory and provide a contemporary visual interpretation of the epic. The outcome of this grant will be a photo exhibition in Poompuhar. The Grantee’s deliverables to IFA with the Final Report will be digital copies of the photographs and still and video documentation of the process and the exhibition. 

Malavika PC

Grant Period: over one year

For support towards a series of workshops with Tamil speaking children to create a visual storytelling book that aims to challenge dominant notions of children’s books that put great importance on activity. This project instead will attempt to draw attention to contemplation and abstraction in the world of children. The outcomes of the grant will be a book and an exhibition with original artwork from the book. The Grantee's deliverables to IFA with the Final Report will be detailed  documentation of the processes including photographs and audio-video recording of the project, various drafts and final layout of the book, and design and catalogue of the exhibition.    

Padmini Chettur

Grant Period: Over five months

For the creation of a dance piece that reinterprets a traditional Bharatanatyam composition called Mohamana. In the context of its history and the current practice of Bharatanatyam where the woman’s body has been constructed through the male gaze, this work attempts to de-objectify the female dancer’s body by questioning and critiquing the deeply embedded representations of Indian feminity in performance and in everyday life. The outcome will be a performance that will premiere at the Kochi Biennale in December, 2016 and will continue to be performed at the Biennale up to March 2017. 

Jayakrishnan Subramanian

Grant Period: One year and six months

For research to develop a modern, metaphoric interpretation of classical Tamil poetry and artistic depiction of the desert landscape of Palai in Sangam literature. In a cinematic form, the exploration will foreground the context of Tamil workers who have migrated to the Middle East.

Preethi Athreya

Grant Period: Over two months

For the creation of a performance that explores the functioning body as contraposed to the performative and productive body. Primarily through the act of jumping, the project seeks to understand and engage with the body outside the frameworks of the performative, competitive, virtuosic or aesthetic. The performance will be created by a team of ten people from diverse backgrounds in the arts, fitness and sports.

Performers in Chennai Perch

Grant Period: Over two months

For a production on the theme of the mobile phone and its impact on our lives, which is an extension of the theatre group’s endeavour of building theatre pieces based on objects. It questions the effect of technology on our individual and community lives, while simultaneously using the object and its social practices as material for the performance. While the production will be the main outcome of the grant, a detailed documentation of the processes including rehearsal notes, photographs and audio-video recordings, will also be delivered.

Dr S Murugaboopathy

Grant Period: Over nine months

For exploring the socio-cultural, historical and psychological understandings of doll traditions in southern Tamil Nadu, towards creating a new language of performance. Through an investigation into the myths, movements, language, songs and politics of these doll traditions, the study seeks a deeper understanding of the nuanced performative elements embedded in these traditions. The outcome of the research will be a performance script.

Bessie Cecil

Grant Period: Over one year

For engaging with the Decorative Arts Department of the National Museum, New Delhi for re-staging their collection of brocade saris to make the museum a dynamic space for both research and practice. Bessie’s project will primarily research the effect that the river has on the textile industry with special focus on the Ganges and its influence on the weaving of the brocade sari, and culminate in an exhibition at the National Museum in February 2016.