For support towards the dissemination of Men of Pukar, an IFA-supported photographic project portraying the people and landscape of Poompuhar. Extending beyond Poompuhar, this project will constitute photo exhibitions in and around the regions of three ancient port cities—Tondi (Tyndis), Muchiri (Muziris), and Korkai—located in present day Kerala and Tamil Nadu. Drawing on descriptions of the inhabitants and terrain of these cities in the ancient Tamil epic Silappadikaram, this work seeks to revisit these sites in an attempt to initiate conversations around identity and territory, and rekindle collective social memory. The outcome of the project will be three photo exhibitions and interactive sessions. The Grantee's deliverables to IFA with the Final Report will be still documentation of the exhibitions and the discussions. Grant funds will pay for costs towards travel and living, exhibition, event, photo documentation and accountant’s fee.
For support towards the creation of a collaborative performance work with artists, and exploring politics around notions of identity of the ‘refugee’. Anchored in a doctoral dissertation on Sudanese refugees, the performance will be built on the artists’ individual and collective explorations and experiences of marginalisation, exclusion, borders, statist politics, ‘refugee-ness’ and ‘other-ness’. It seeks to question dominant discourses on the refugee, challenging homogeneity, and aspires to build human connections and inclusion. The work will be scripted, devised, directed, and performed by a collective of seven artists who hail from theatre, movement, literary, and visual arts backgrounds. The outcome will be a series of work-in-progress performances across South India. The Grantee's deliverables to IFA with the Final Report will be photographs, video and textual documentation of the process, and performances. Grant funds will pay for costs towards an honorarium, professional fees for resource persons, travel and living, rehearsal space rental, documentation, materials, and an accountant’s fee.
For research to write a critical history of Tamil theatre during the early 20th century, studying the writings of Pammal Sammadha Mudaliar, who is considered the founding father of modern Tamil theatre. The project will critically examine the categorisation of Tamil theatre into ‘rural’ and ‘urban’ forms, highlighting the struggles of theatre practitioners against the backdrop of anti-colonial and the emergent anti-Brahminical movements in the region. The outcome will be a manuscript for a book. The Grantee’s deliverables to IFA with the Final reports will be the manuscript with images and excerpts of translations from the writings of Pammal and interviews conducted in the field. Grant funds will pay for costs towards an honorarium, research assistance, travel and living, stationery and documentation, typing and printing, and an accountant’s fee.
For research into the evolution and development of the music culture of Gaana in Chennai, Tamil Nadu. A popular form of music practised among the marginalised of urban Chennai, Gaana in recent years has become a powerful medium of socio-cultural and political expressions. Through extensive documentation of Gaana songs, the lives of its performers, and an in-depth analysis of its content, this project attempts to study this form within the larger context of society, politics, and culture of Chennai in particular and Tamil Nadu in general. The outcome will be a series of essays/articles in Little Magazines in Tamil and a book. The Grantee's deliverables to IFA with the Final Report will be the essays and, video and still documentation from the project. Grant funds will pay for costs towards an honorarium, food and accommodation, local travel, equipment rental, professional fees, books, materials and stationery and an accountant’s fee.
For the creation of a body of photographic works centred on the men of Poompuhar in south Tamilnadu. Drawing from the descriptions of lives and landscape of Poompuhar in the ancient Tamil epic Silappadikaram, this project involves revisiting the town in an attempt to explore questions around identity and territory and provide a contemporary visual interpretation of the epic. The outcome of this grant will be a photo exhibition in Poompuhar. The Grantee’s deliverables to IFA with the Final Report will be digital copies of the photographs and still and video documentation of the process and the exhibition.
For support towards a series of workshops with Tamil speaking children to create a visual storytelling book that aims to challenge dominant notions of children’s books that put great importance on activity. This project instead will attempt to draw attention to contemplation and abstraction in the world of children. The outcomes of the grant will be a book and an exhibition with original artwork from the book. The Grantee's deliverables to IFA with the Final Report will be detailed documentation of the processes including photographs and audio-video recording of the project, various drafts and final layout of the book, and design and catalogue of the exhibition.
For the creation of a dance piece that reinterprets a traditional Bharatanatyam composition called Mohamana. In the context of its history and the current practice of Bharatanatyam where the woman’s body has been constructed through the male gaze, this work attempts to de-objectify the female dancer’s body by questioning and critiquing the deeply embedded representations of Indian feminity in performance and in everyday life. The outcome will be a performance that will premiere at the Kochi Biennale in December, 2016 and will continue to be performed at the Biennale up to March 2017.
For research to develop a modern, metaphoric interpretation of classical Tamil poetry and artistic depiction of the desert landscape of Palai in Sangam literature. In a cinematic form, the exploration will foreground the context of Tamil workers who have migrated to the Middle East.
For the creation of a performance that explores the functioning body as contraposed to the performative and productive body. Primarily through the act of jumping, the project seeks to understand and engage with the body outside the frameworks of the performative, competitive, virtuosic or aesthetic. The performance will be created by a team of ten people from diverse backgrounds in the arts, fitness and sports.
For a production on the theme of the mobile phone and its impact on our lives, which is an extension of the theatre group’s endeavour of building theatre pieces based on objects. It questions the effect of technology on our individual and community lives, while simultaneously using the object and its social practices as material for the performance. While the production will be the main outcome of the grant, a detailed documentation of the processes including rehearsal notes, photographs and audio-video recordings, will also be delivered.