For developing an innovative, online graduate-level programme in cultural studies in collaboration with Kuvempu University. By designing new curricula, developing textbooks, organising workshops and offering online courses, the Centre will build new links with research and teaching institutions.
For making a film on women potters, structured as a search for roots by a contemporary studio potter, and focussing on two traditional women potters in Kutch and Manipur. By exploring the ways in which the women have circumvented the taboos associated with the potter’s wheel, the film will foreground a dialogue between tradition and modernity.
For researching and documenting the history and unique weaving technique of the Molkalmuru sari from the Chitradurga district of Northern Karnataka. The documentation is expected to facilitate the revival and marketing of simplified versions of the sari.
For making a film on the New-Delhi based theatre group, Jan Natya Manch, that will critically explore its history and contemporary practices. Combining archival footage with documentation of contemporary performances, the film will especially focus on Nukkad Natak (street theatre).
For collaborative research between an installation artist/set designer and an anthropologist towards a multimedia installation/exhibition on the visual culture of the Thiyyas, a community from North Kerala.
For making Recording Guiya, a documentary film that will explore the conditions that contributed to the unprecedented success of Guiya, an audio cassette released in the mid-1990s in Jharkhand. The film will examine the current state of popular music and the future of oral traditions.
For completing the photographic documentation of manuscript paintings held in Vaishnavite monasteries and private collections in Assam. A digital catalogue of scanned paintings will be made available to users through the Assam State Museum, Guwahati.
For research into performing traditions and changing structures of patronage in Maharashtra. By investigating Marathi theatrical practices that emerged in the 1840s, the study seeks to document how elite and popular performative forms were reconstituted in the latter half of the nineteenth century.
For making a documentary film on the oral legends of Mirabai narrated and sung by the lower castes of Rajasthan. The film will map the alternative texts and performance spaces that refigure the mainstream cultural icon Mira, laying open issues of caste and transgression to scrutiny.
For implementing the strategic plan of a theatre group, which had received an earlier grant for preparatory work, to reach new audiences, improve management and public relations, and generate income through performance tours, workshops and training programmes.
For a preparatory phase of collaboration among a painter/puppeteer, a sculptor/puppeteer and a shoe designer/woodworker to develop new styles and techniques of presentation in puppetry. The collaborators will attempt to create contemporary scripts, evolve new soundscapes and re-think traditional structures.
For the photographic documentation of the manuscript paintings of Assam held in Vaishnavite monasteries and private collections. Approximately 5,000 folios will be photographed and stored in a digital database at the Assam State Museum.
For preparatory work on a video film, by a filmmaker and a journalist/writer, on marginalised aspects of Punjab’s cultural landscape. They will explore their relationship to contemporary Punjab by documenting particular celebrations, individuals, memorials and encounters that together embody a syncretic understanding of the region.