For research into and documentation of the Reshma-Chuharmal Nautanki, a popular Dalit folk theatre performance of Bihar. The project will explore how identities, caste and power are contested in and through this performance. Different versions of the Reshma-Chuharmal story, both in its performed and written form, will be collated, transcribed, translated and analysed to understand how they reflect a changing sense of identity among the Dalits.
For digitising the archive of a literary magazine in order to maximise its website’s potential to serve as an educational resource and be an avenue for revenue generation. Marketing initiatives that target Indian and foreign universities and institutions are expected to help the magazine to become self-sustainable.
For putting in place a multi-pronged process to reinvigorate the bhakti and sufi music of the Punjab. Systematic audio documentation bolstered by an innovative marketing strategy—direct sales by the performers in the rural market and online sales from a website—is expected to economically benefit the performers and expand their audience.
For research into performing traditions and changing structures of patronage in Maharashtra. By investigating Marathi theatrical practices that emerged in the 1840s, the study seeks to document how elite and popular performative forms were reconstituted in the latter half of the nineteenth century.
For the publication of a book on the use of photography as a social tool by the Bengali upper class in the late-nineteenth and early-twentieth centuries. The book, to be published by the Oxford University Press, will be made available at a subsidised price.
For collaborative research between an installation artist/set designer and an anthropologist towards a multimedia installation/exhibition on the visual culture of the Thiyyas, a community from North Kerala.
For making a film on the New-Delhi based theatre group, Jan Natya Manch, that will critically explore its history and contemporary practices. Combining archival footage with documentation of contemporary performances, the film will especially focus on Nukkad Natak (street theatre).
For creating a comprehensive collection of material on the Indian Peoples’ Theatre Association (IPTA). Through interviews, archival research, and the compilation of material generated on and by IPTA, the researcher will arrive at an account of the first, collective, pan-Indian cultural movement in independent India.
For preparatory work on a video film, by a filmmaker and a journalist/writer, on marginalised aspects of Punjab’s cultural landscape. They will explore their relationship to contemporary Punjab by documenting particular celebrations, individuals, memorials and encounters that together embody a syncretic understanding of the region.
For a clay and fibre installation by a ceramic artist and a textile artist based on interrelated themes depicted in Indian and Greek myths. The installation will be created for outdoor viewing and will be site-variable.