Grant

Anuradha Mangatram

Grant Period: Over one year and six months

For research into the progressive transformation of the raagini in Haryana through the expressions of women and Dalits. Exploring the effects on the social structure of Haryana through the 19th century reform movements and the freedom struggle, the project will focus on the experiences of participation and acceptance of women and Dalit writers and practitioners in the art form. The outcome of this project will be a monograph.

Anuradha Venkataraman

Grant Period: Over four months

For a dance and theatrical performance that engages with the psychological, sociological and political understandings of war and its diverse representations within the museum space. This performance will take place at the Government Museum, Bangalore.

Sanchayan Ghosh

Grant Period: Over one year and six months

For research into visual arts and other cultural forms associated with the notion of representing the landscape of the Rahr (red soil) region of the district of Birbhum, West Bengal. The project will critically engage with the methodology of documentation as collective recollection. Through a dialogic method of archiving these practices, the researcher will engage in workshops with various scholars and practitioners of the region. The outcome of this project will be a visual book of images and processes of the workshops at the six locations.

Prathibha Nandakumar

Grant Period: Over four months

For a poetry performance, photo exhibition and installation tracing Bangalore's long history of coffee cafes and the collective intellectual and creative space it provided for citizens, on the site of one of city's old coffee shops, Kumara Bhavana, that is currently scheduled to be demolished.

Deepika Arwind

Grant Period: Over five months

For the creation of a performance themed around narratives of the hair. Titled ‘A Brief History of Your Hair’, the performance draws upon personal, historical, political and gender narratives of the hair and uses humour, playfulness and fantasy to unpack questions of identity, androgyny, gendered beauty and the way these ideas relate to each other across cultures. The performance is expected to premiere in March 2016. Grant funds will pay for professional fees, performance costs and production costs.

Shaunak Mahbubani (KLATSCH Collective)

Grant Period: Over four months

For a group of artists and designers to make a series of multi-disciplinary artistic interventions, including performances and installations, in Chikpet’s 100-year old Mohan Building, through an engagement with the multi-layered narratives of the space and its inhabitants.

Jayakrishnan Subramanian

Grant Period: One year and six months

For research to develop a modern, metaphoric interpretation of classical Tamil poetry and artistic depiction of the desert landscape of Palai in Sangam literature. In a cinematic form, the exploration will foreground the context of Tamil workers who have migrated to the Middle East.

S Ramanatha

Grant Period: Over four months

For the creation of a performance inspired by the life and works of theatre legend B V Karanth that will take place at Karanth’s house in Girinagar, where he spent the last years of his life. There will also be two other smaller performances as preludes to the final one.

Avik Mukhopadhayay

Grant Period: Over one year and six months

For a grant supporting the creation of multiple artistic interpretations of Nabarun Bhattacharya’s novel Lubdhak. A graphic novel which will serve as a script for a feature length stop motion animation film later, will be created in the process. An electronic version of the graphic novel and a prototype of a short film for the animation will also be made. Grant funds will cover travel and food costs, material, props and lighting costs, professional fees, studio rental, documentation and an accountant’s fee.

Vinod Velayudhan

Grant Period: Over ten months

For the construction of a data visualisation prototype to expose and make readable the information that is layered in text based data in Prof Jyoti Bhatt’s photographs and other associated materials, from his series Living Traditions that forms part of the Asia Art Archive. For nearly four decades Prof Bhatt has been documenting various ‘living traditions’, the arts, crafts and daily lives of people across the country. This project will draw on Prof Bhatt’s photographs, notes, sketchbooks, diaries, audio interviews and articles.

Archana Prasad

Grant Period: Over four months

For the installation of a structure similar to an old-fashioned telephone booth under the Yeshwantpur flyover that will function as a story-telling machine, which recaptures a rapidly transforming Malleswaram, through recorded interviews of its residents.

Priya Sen

Grant Period: over one year

For working with the audio-archives at the Archives and Research Centre for Ethnomusicology of the American Institute of Indian Studies (ARCE), Gurgaon. The ARCE is an extraordinary audiovisual archive that houses more than 25,000 hours of recordings, and includes all contexts of music production, such as recorded Indian music, dance, and performance of all kinds, from classical music traditions to regional traditions from all over India, popular music from film music, to Jazz in India. Priya Sen a filmmaker and researcher, will investigate the narratives, and conversations around oceanic routes, especially, the music of the Siddhis in Gujarat, and the music of the indentured populations from East India and UP, who migrated to Mauritius, Fiji and Trinidad.

Kaladhar S

Grant Period: Over one year

For a series of arts-based interventions to encourage children to heighten their creative writing skills while developing visual sensibilities, leading to the production of a book by the pupils of the Government Higher Primary School, Kannamangala, Chikkaballapur district.

Bessie Cecil

Grant Period: Over one year

For engaging with the Decorative Arts Department of the National Museum, New Delhi for re-staging their collection of brocade saris to make the museum a dynamic space for both research and practice. Bessie’s project will primarily research the effect that the river has on the textile industry with special focus on the Ganges and its influence on the weaving of the brocade sari, and culminate in an exhibition at the National Museum in February 2016.

Sadanand Byandoor

Grant Period: Over ten months

For facilitating a group of eighth and ninth standard pupils of the Government High School, Kundapur, Dakshina Kannada district, to explore all elements of poetry. The projects aims to draw up a selection of poems from within and outside the curriculum, to be read, de-constructed, analysed and understood. Experts from the field will be invited to help explore the possibility of translating the poems to performance pieces. The production will be showcased in the school for its extended community.

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