Robert Giannetti

Grant Period: Over ten months

For two musicians to collaborate on The Indica Project, which aims to create new music based on Indian musical heritage with the inclusion of various musical styles. The resulting CD of original compositions will feature Indian classical and folk musicians, and musicians from Africa, Latin America and the USA.

Anjani Khanna

Grant Period: Over one year and six months

For four ceramic artists to investigate the role of art in public spaces. They will explore the relationship between the environment and ceramic art practice and examine notions of space and cultural specificity, finally creating a joint installation at a chosen site.

Kabir Mohanty

Grant Period: Over one year

For a sound/video installation, by filmmaker and a sound composer, that explores creative and unconventional ‘sound’ possibilities. The collaborators will create multiple soundtracks for the installation, which will have multiple starting points that provide different ‘spatial’ experiences of sound and image.

Rajivan S A

Grant Period: Over three months

For the conception and design of a collaborative music performance by two musicians/composers and a baul singer. The collaborators’ collective exploration of the soundscapes of baul will result in a document with audio work files and a record of discussions, interviews and photographs that will lead to a full-fledged performance.

Pushpamala N

Grant Period: Over one year and six months

For the construction of an imaginary photographic studio, by a visual artist and a photographer, to extend the creative possibilities of the photographic image. They will design and photograph a series of tableaux that will critically portray stereotypical images of the south Indian woman drawn from Hindu mythology and forms of popular visual art.

The Academy for Arts Research Training & Innovation

Grant Period: Over one year and six months

For an interdisciplinary, multimedia stage production based on a poet’s anthology and put together by a dancer/choreographer, a music composer/stage designer and the poet. The resulting performance will be a visual and aural collage that will incorporate the poet’s sketches and the video footage that she shot in the wake of the Mumbai riots of 1993.

Bharat Sharma

Grant Period: Over one year

For preparatory research towards the development of highway performance circuits for contemporary dance. The outcome would be a strategic plan for a single performance circuit along highways across south Indian states with the aim of expanding opportunities for performance and establishing a sustainable infrastructure for contemporary dance.

Hartman de Souza

Grant Period: Over two years

For research towards a chronicle on the history of jazz in Goa, Bombay and Calcutta between 1930 and 1980. The study will trace the roots of this unique tradition through the lives of its best-known exponents and lead to a manuscript that blends true accounts with fictionalised narratives.

Kristine Michael

Grant Period: Over two years

For research into Indian ceramic art practice in the nineteenth century. The study will focus on the implications of European trade for the Indian potter, the art school ethos and changing styles in Indian ceramic ware. It is expected to result in databases, a curatorial text and an illustrated book.

Indranil Chakravarty

Grant Period: One Year

For preparatory research towards a script and screenplay for a fiction film based in Goa and Brazil. While the study will focus on Goan life and culture in the second half of the twentieth century, the film will explore identity formation in the context of the Indian diaspora.

Vipin Vijay

Grant Period: Over two years

For ethnographic video documentation of the temple oracles of Kerala. The resulting film will probe the collective dimension of ritual performance, critique its contemporary aesthetic functions and inquire into the possible neurological and scientific aspects of trance.

Kalachuvadu Trust

Grant Period: Over one year and six months

For a comprehensive documentation of the writings of Pudumaippithan, the first modern Tamil writer. The project will bring together his numerous short stories, essays and works of criticism held in public and private collections across the country, and result in microfilm and digital copies of them.

Tapasya Kala Sampradaya

Grant Period: Over one year

For video and audio documentation of the oral and performative elements of sadir, locating it within the context of the Isai Vellalar community, whose few surviving members are the only exponents of this dance form.

Scharada Bail

Grant Period: Over two years

For research towards an illustrated book on itinerant toymakers from various parts of the country. The study will document the lifestyles and craft of toymakers and identify possible measures to alleviate their lot. The research is expected to lead to published articles as well as lecture demonstrations and workshops on toy making.

Society for the Preservation of Satyajit Ray Films

Grant Period: Over one year

For sorting, classifying and cataloguing the personal papers of Satyajit Ray. Digital copies of this monumental archive of textual, graphic and audio material will be made available through a website as an interactive multi-media product. The project is also expected to generate an exhibition titled ‘The World of Satyajit Ray’.