Grant

Adishakti Laboratory for Theatre Art Research

Grant Period: Over one year

For research and examination, by a theatre director, a contemporary actor and a musician, of the textual nature of music in Koodiyattam, the classical theatre of Kerala. The project will result in a new theatre piece and a reworked version of an earlier production.

Lipi Biswas

Grant Period: Over one year

For workshops in villages and small towns by urban visual artists/potters and tribal and folk potters to facilitate an exchange of skills and techniques in pottery and ceramics.

Geeta Ramanujam

Grant Period: Over one year

For a series of workshops for children in and around Bangalore by a storytelling team comprising a teacher, a craft specialist and an administrator. The project will connect storytelling to other creative activities, demonstrate alternative ways of looking at learning, and initiate a plan to establish a resource centre for storytelling and allied activities.

Janapadam

Grant Period: Over one year

For workshops by a theatre director, a classical dance exponent and a traditional folk theatre group to share teaching and performance techniques and practices. The collaboration is expected to help the theatre group to formulate survival strategies, the dancer to reintroduce narrative singing and storytelling into Kuchipudi performance, and the director to strengthen training for his actors.

P. Jayachandran

Grant Period: Over three months

For developing concepts and a treatment for a dance video by a contemporary choreographer and a filmmaker. They will examine the architecture of two stone quarries as possible venues for video-recording dance sequences, generate additional images using computer animation techniques, and experiment with grafting these onto the on-site sequences.

The Seagull Foundation for the Arts

Grant Period: Over one year

For preparatory research towards a travelling exhibition on the life and work of Nirode Mazumdar, considered by many to be an important and unfairly ignored figure in modern Indian painting. The study will also result in catalogues and publications for use in galleries and art schools, and the marketing of an audio-visual package.

The Keystone Foundation

Grant Period: Over six months

For the study and documentation of the almost extinct pottery traditions of the women of the Kota community in the Nilgiris. The study will focus on the myth and lore linked to the tradition, which is kept alive only in yearly and secret ritual, and lead to a revival of the Kota women’s occupation and a market for their products.

Vasudha Joshi

Grant Period: Over one year and six months

For the study and documentation of Ganjifa, an indigenous card game, and the artists who paint the cards in various parts of the country. The research is expected to result in publications intended to introduce children to the game and its culture, booklets to help NGOs popularise and market Ganjifa card games, and material for use in multimedia.

Pankaj Rishi Kumar

Grant Period: Over one year

For the completion of Kumar Talkies, a documentary film highlighting the relationship between the crisis facing the small town of Kalpi in Uttar Pradesh and the decline of its oldest surviving cinema theatre. The film will explore the impact of the Mumbai film industry and popular culture on the town’s social and economic life, collective imagination and identity.

Jayasri Banerjee

Grant Period: Over one year and six months

For the study and documentation of the threatened musical traditions of the Adivasi communities of Junglemahal in West Bengal. The project is expected to reacquaint younger members of the community with their own music and create income generating avenues for instrument makers, besides contributing to government literacy programmes in the region.

T Pankajaksha

Grant Period: Over two years

For research towards a sourcebook in Kannada on important sculptural traditions in south India. With the aim of enhancing the skills, knowledge and creativity of traditional sculptors, the sourcebook will comprise an introduction to the Shilpashastra; line drawings highlighting the aesthetic features of various schools of sculpture; and explanatory notes and photographs.

Pooja Kaul

Grant Period: Over one year and six months

For preparatory research towards a documentary film on the Ragamala tradition. Besides exploring its historical, aesthetic and socio-cultural contexts, the study will examine how the conventions of the Ragamala could inform the stylistics of representing the tradition on film. Two short video studies will be developed, suggesting contrasting treatment strategies for the proposed film.

Himanshu Burte

Grant Period: Over one year and six months

For research towards the development of a theoretical basis for designing public places for art in India. The study will compare the integrative character of indigenous public spaces with the isolating experience of newer, urban ones. It will result in a series of monographs or an illustrated book.

Centre for Deccan Studies

Grant Period: Over two years

For research into the architectural styles of the under-documented Deccan region, with a focus on the built heritage of the Qutb Shahi period. Base maps of the Golconda Fort area, and a monograph on the evolution of architectural styles within it, will be prepared, helping leverage support for the development of the area as a heritage zone.

Indian National Trust for Art and Culture Heritage (INTACH)

Grant Period: Over two years

For the survey and documentation of mural paintings in temples, palaces, dwellings and caves in Orissa. INTACH’s subsidiary, the Orissa Art Conservation Centre, Bhubaneshwar, will undertake technical studies, scientific analyses and visual documentation of the paintings, and develop conservation strategies in tandem with traditional painters.

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