For a physical theatre performance piece towards creating a personal vocabulary of movement and theatre. Based on impressions of the social, cultural and spiritual life on the river island Majuli in Assam, the performance through the medium of physical theatre will bring together movement, voice, image, light, costume and set design to evoke the spirit of the island.
For a site-specific performance on an artificial climbing wall located within Phoenix Market City mall in Mahadevapura, Bangalore. The performance will be developed through a process of research into and experimentation with aerial movement, visual design, climbing techniques and urban art by the grantees who are actors and avid mountaineers.
For the study and documentation of landmark art exhibitions in India from 1947 to the present. It will include those exhibitions that were planned but did not materialise, thereby attempting to create a framework by which to address and analyse how exhibitions typify attitudes, thoughts and articulations on contemporary art.
For a series of performance art interventions across various spaces in Bangalore by ten artists belonging to the 080:30 Collective. Each intervention will consist of several site-specific performances in areas like K R Market, Nayandanahalli Junction and Commercial Street in Bangalore. Each of the ten artists will work with five different spaces and their projects will be chosen through a process of discussion and evaluation within the collective.
For research into the popular subculture of automatons displayed during the Ganesh Chaturthi festival in Mumbai. His research will lead to the production of a film exploring the mythologies around these religious displays. The film will highlight the working of the low-tech automaton industry, while allowing for a creative and fictitious depiction of the research material in the form of a film. The collected material will also result in an installation piece.
For a series of site-specific performance art interventions at the Vinayaka Kalyana Mantapa, an abandoned building on Bellary Road that used to be a marriage hall until it was sliced in half during the construction of the road to the airport.
For exploration of their local Jatres (traditional fairs) with students and peers. These grants will enable teachers to re-introduce Jatres around them as a storehouse of living traditions and relate them to a more rooted understanding of its relevance and help students contextualize the experience to their school texts. Engaging in an explorative journey through the eighteen months, they will document and also re-construct a Jatre within the school to celebrate with the village community.
For research towards a monograph length essay on Sang-Ragini, a signature theatre tradition of Haryana, which combines theatre, ballad singing, music and dance. Studying the linkages between the music industry hubs of Delhi and Haryana, the research will map the construction of this form over time, and document the processes by which they are produced, distributed, marketed and consumed in both live and recorded formats.
For a series of workshops with teachers from a school, which are expected to sensitise them to theatre education and expose them to the process adopted by the grantee as she works with them to realise a school production. Following the workshop, a smaller group of interested teachers will adapt a school text and co-direct plays in the school. The final productions will be shared with the school community.
For research towards a stylised documentary on Hindi pulp fiction that reflects the struggles of the writers and publishers as producers of ‘low art’. It will trace the journey of the writer through the system that enables the publishing and distribution of pulp fiction, thereby illustrating the ethos of the world that produces such material. This project is co-funded by Recyclewala Films Pvt. Ltd, Mumbai.
For facilitating a series of visual arts appreciation workshops for all the students of a school (Classes Eight, Nine and Ten). He will collaborate with a visual arts college and local artists to design and execute the grant.
For a film and web platform on the journey of Warkaris, the Vaishnavite pilgrims who undertake an annual expedition to Pandharpur in Maharashtra. The filmmaker seeks to document the journey and map it on a web platform, while simultaneously linking various points enroute to textual material describing the journey. This project wishes to traverse the boundary between cinema and web technology where every viewer will have a different narrative experience of the journey depending on the choices they make.
For the second phase of an Alternative Photography project that captures the socio-economic changes in Daniya village of Almora through dry plate Collodion photography. The photographs produced through this experimental process will be published as limited edition handmade albums, a coffee table book of scanned original photographs for wider circulation, a process documentation booklet and DVD.
For a two-day colloquium titled ‘Locating Art Histories: Dialogues on Language, Writing, and Research in India’ organised by the Asia Art Archive (AAA) in Delhi. The colloquium builds upon the Bibliography project AAA has been doing for the last three years, and will engage with the question of art writing in various Indian languages.